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	<title>Comments on: Who Am I? I Might Be the Wallpaper #9</title>
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	<link>https://www.sunsyncnutrition.com/blog/?p=1137</link>
	<description>SunSync Nutrition</description>
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		<title>By: sunsync Nutrition</title>
		<link>https://www.sunsyncnutrition.com/blog/?p=1137&#038;cpage=1#comment-5140</link>
		<dc:creator><![CDATA[sunsync Nutrition]]></dc:creator>
		<pubDate>Wed, 27 Apr 2016 22:18:13 +0000</pubDate>
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		<description><![CDATA[Frances Bacon (Novum Organum Scientiarum, Book I, 1620) wrote ...

&quot;The subtlety of Nature is many times greater than the subtlety of the senses and of the understanding.&quot;]]></description>
		<content:encoded><![CDATA[<p>Frances Bacon (Novum Organum Scientiarum, Book I, 1620) wrote &#8230;</p>
<p>&#8220;The subtlety of Nature is many times greater than the subtlety of the senses and of the understanding.&#8221;</p>
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		<title>By: sunsync Nutrition</title>
		<link>https://www.sunsyncnutrition.com/blog/?p=1137&#038;cpage=1#comment-5139</link>
		<dc:creator><![CDATA[sunsync Nutrition]]></dc:creator>
		<pubDate>Wed, 27 Apr 2016 22:16:04 +0000</pubDate>
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		<description><![CDATA[According to the American Visionary Art Museum (800 Key Highway Baltimore, Maryland 21230) ...

&quot;From 1910, while systematically working on this grand work, [Adolf] Wölfli found he desired the solitude and protection of a private cell, which he decorated with his own works, and in solitude produced a huge number of works including painted furniture. Famed psychologist Carl Jung, fascinated with mandala theory, so practically in evidence throughout much of Wölfli&#039;s work, obtained two of Wölfli&#039;s works for his personal private collection. Wölfli traded his works with clinic visitors in exchange for pencils, paper or other essentials, but calculated their real worth in multi-digit, astronomical notations. Ironically, today, his works do sell at auctions and prestigious galleries and command prices in tens and hundreds of thousands of dollars.&quot;]]></description>
		<content:encoded><![CDATA[<p>According to the American Visionary Art Museum (800 Key Highway Baltimore, Maryland 21230) &#8230;</p>
<p>&#8220;From 1910, while systematically working on this grand work, [Adolf] Wölfli found he desired the solitude and protection of a private cell, which he decorated with his own works, and in solitude produced a huge number of works including painted furniture. Famed psychologist Carl Jung, fascinated with mandala theory, so practically in evidence throughout much of Wölfli&#8217;s work, obtained two of Wölfli&#8217;s works for his personal private collection. Wölfli traded his works with clinic visitors in exchange for pencils, paper or other essentials, but calculated their real worth in multi-digit, astronomical notations. Ironically, today, his works do sell at auctions and prestigious galleries and command prices in tens and hundreds of thousands of dollars.&#8221;</p>
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		<title>By: sunsync Nutrition</title>
		<link>https://www.sunsyncnutrition.com/blog/?p=1137&#038;cpage=1#comment-5138</link>
		<dc:creator><![CDATA[sunsync Nutrition]]></dc:creator>
		<pubDate>Wed, 27 Apr 2016 22:15:22 +0000</pubDate>
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		<description><![CDATA[Edward M. Gomez (&quot;Adolf Wölfli: Master of His Universe,&quot; Envision, Jul. 2003) wrote ...

&quot;&#039;All artists coexist alongside a second self whom they beg their muse to help them find,&#039; [New York-based art dealer Phyllis] Kind says, suggesting that, for [Adolf] Wölfli, art-making provided a path or outlet for a search for self that he needed to pursue. Kind says, &#039;Also consider the two very different parts of Wölfli that came together in his art. On the one hand, he was a miserable creature who might have undertaken his art-making as a way of getting away from his fears. On the other, he was a total braggart who showed off how extraordinary he could be — how extraordinary he imagined he could be.&#039;&quot;]]></description>
		<content:encoded><![CDATA[<p>Edward M. Gomez (&#8220;Adolf Wölfli: Master of His Universe,&#8221; Envision, Jul. 2003) wrote &#8230;</p>
<p>&#8220;&#8216;All artists coexist alongside a second self whom they beg their muse to help them find,&#8217; [New York-based art dealer Phyllis] Kind says, suggesting that, for [Adolf] Wölfli, art-making provided a path or outlet for a search for self that he needed to pursue. Kind says, &#8216;Also consider the two very different parts of Wölfli that came together in his art. On the one hand, he was a miserable creature who might have undertaken his art-making as a way of getting away from his fears. On the other, he was a total braggart who showed off how extraordinary he could be — how extraordinary he imagined he could be.&#8217;&#8221;</p>
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